Like the Wavestate and OpSix, the Modwave is built around 37 full‑sized keys which offer velocity but no aftertouch. So, whilst some of the DW‑8000 waveforms are included in Modwave’s oscillators, the Modwave is its own thing (and that’s just fine).
And where the DW‑8000 had analogue filters, the ModWave is all‑digital. The DW‑8000 didn’t have wavetables, just static digital waveforms. The DW‑8000 was also a two‑oscillator synth with digital waveforms but, in reality, the two don’t share much common ground. Korg are marketing the Modwave as a ‘revived DW‑8000’. The latest member of the team, ModWave, takes on the challenge of wavetable synthesis. The Wavestate resurrects Korg’s Wave Sequencing synthesis, first introduced by the Wavestation. Their midrange synth line‑up - the Wavestate, OpSix, and now Modwave - offers complex synthesis in affordable packages. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.Korg’s Modwave is a wavetable powerhouse that can import Serum wavetables without conversion. The result is organic, ever-changing sounds that respond to your control.
Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Each note in a chord can be playing something different! You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.Įvery time the sequence moves forward, the individual Lanes are combined to create the output.
Also added are new characteristics including shapes, gate times, and step sequencer values. Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. What if they could evolve in organic, unexpected ways, instead of just repeating? This created ear-catching patterns–but the patterns repeated the same way, over and over. With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch.
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